This isn’t your father’s Blob but a newer, nastier, deadlier Blob. As such, it needs some effective mood music to accompany it and Michael Hoenig provides just that.
This isn’t your father’s Blob but a newer, nastier, deadlier Blob. As such, it needs some effective mood music to accompany it and Michael Hoenig provides just that.
Sung by Britt Ekland, Willow’s Song as composed by Paul Giovanni is an interesting and beautiful piece of music that gives away nothing as to the horror within the film.
If there is one thing that this piece of music does, it invades the mind like a parasite and intrigues the listener so much so that watching this film is a must. […]
What better music to accompany the Tall Man than that of Fred Myrow and Malcolm Seagrave who cast just the right mood.
1989 would see the release of Pet Semetary and it would feature none other than Elliot Goldenthal’s fantastic music.
Nothing like some good industrial rock and the soundtrack from Tetsuo The Iron Man has just that.
Shadow throws down a banger for the slasher New Year’s Evil.
Richard Band can always be counted upon for making a soundtrack better with his notes and The House on Sorority Row is no different.
Maurice Jarre’s haunting and dramatic music is the perfect fit for a movie about one being haunted.
Night of the Creeps might have given them but one would never know from C-Spot Run’s track Nightmares.